References

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• author (year) Title. Location: Publisher.
• author (year) Title. (4th edn.) Location: Publisher.
• Adams, R (1994) Why people photograph. NY: Aperture.
• Adams, R (1996) Beauty in photography. NY: Aperture.
• Amao, D. (2010) 100 Masterpieces of Photography. Paris: Editions du Centre Pompidou.
• Angier, R. (2007) Train your gaze. Lausanne: Ava Publishing.
• Angier, R. (2015) Train your gaze. (2nd edn.) London: Bloomsbury.
• Arbus, D. (2003) Revelations: Diane Arbus. London: Jonathan Cape 

• Badger, G. (2003) Collecting photography. London: Octopus.
• Badger, G. (2007) The genius of photography. London: Quadrille Publishing.
• Badger, G. (2010) The pleasures of good photographs. New York: Aperture Foundation.
• Barrett, T. (1997) 'Photographs and Contexts', in Goldblatt, A. & Brown, L. (eds.) A reader in philosophy of the arts. New Jersey: Prentice-Hall. pp. 110-116.
• Barrett, T. (2000) Criticizing Art. (2nd edn.) Mountain View, CA.: Mayfield.
• Barrett, T. (2012) Criticising photographs, an introduction to understanding images. 5th ed. NY: McGraw Hill.
• Batchen, G. (2001) Each wild idea. Cambridge, Mass.: MIT Press.
• Bate, D. (2003) Photography and Surrealism: Sexuality, Colonialism and Social Dissent. London: Bloomsbury.
• Bate, D. (2016) Photography, the key concepts. London: Bloomsbury Publishing.
• Bear, J. & Palmer Albers, K. (eds.) (2017) Before-and-After Photography, histories and context. London: Bloomsbury.
• Bendandi, L. (ed.) (2015) Experimental photography, a handbook of techniques. London: Thames & Hudson.
• Bey, D. (2019) On photographing people and communites. NY: Aperture.
• Biel, J. & Brent, B. (2017) Make a zine (3rd edn.) Portland, OR: Microcosm Publishing.
• Bloomfield, R (2017) Expressing your vision. Barnsley: Open College of the Arts.
• Bogre, M (2019) Documentary photography reconsidered. London: Bloomsbury Publishing.
• Borenius, T. (1926) Forty London statues and public monuments. London: Methuen.
  with special photographs by E.O. Hoppe
• Bowker, D. (2013) Surreal photography. Lewes: Ilex.
• Bright, S. (2011) Art photography now. (Revised and expanded ed) London: Thames & Hudson.
• Bright, S. & van Erp, H (2019) Photography decoded. London: Ilex.
• Brilliant, R. (2008) Portraiture. London: Reaktion Books.
• Brugioni, D.A. (1999) PhotoFakery. Dullus, VA.: Brassey's.
• Bull, S. (2010) Photography. Abingdon,Oxon: Routledge.
• Bush, L., Clark, T., Hamilton, S., Smyth, D. (2014) Photography theory: a beginner's guide. The Telegraph9 June. [online] Available from: https://www.telegraph.co.uk/culture/photography/10753112/Photography-theory-a-beginners-guide.html. [accessed 17 December 2018]
• Butler, C. (2002) Postmodernism: a very short introduction. Oxford: OUP.

• Campany, D. (2003) Art and photography. London: Phaidon Press.
• Canadian Museum of Contemporary Photography (1990) Thirteen essays on photography. Chicago: University of Chicago Press
• Carroll, H (2015) Read this if you want to take reat photographs of people. London: Laurence King.
• Carroll, H (2018) Photographers on photography. London: Laurence King Publishing.
• Cartier-Bresson, H. The decisive moment. New York: Simon and Schuster. Cited in Hsu, L. (2015) The Decisive Moment. Fraction Issue 81, December 2015. [Online]. Available from http://www.fractionmagazine.com/the-decisive-moment/ [Accessed 18 November 2018].
• Clarke, G. (1997) The photograph. Oxford: OUP.
• Coleman A.D. (1979) Light Readings. NY: OUP.
• Coleman, A.D. (1995) Critical focus. Tucson, AZ.: Nazraeli Press.
• Coleman, A.D. (1996) Tarnished silver: after the photo boom. Tucson, AZ.: Nazraeli Press.
• Coleman, A.D. (1998) Depth of field. NY: Midmarch Arts Press.
• Coleman, A.D. (1998) The digital evolution. Tucson, AZ.: Nazraeli Press.
• Cooksey, J. (2017) VPK: The Vest Pocket Kodak and the First World War. Lewes: Ammonite Press.
• Coplans, J. (1996) Provocations. London: London Projects.
• Cotton, C. (2014) The photograph as contemporary art. London: Thames & Hudson.

• Davis, D. (intro.) (1982) Photography as fine art. London: Thames & Hudson.
• Delaney, P (2004) Bill Brandt, a life. London: Jonathan Cape.
• Dillon, B. (2011) Rereading: Camera Lucida by Roland Barthes. The Guardian. 26 March. [online] Available from: https://www.theguardian.com/books/2011/mar/26/roland-barthes-camera-lucida-rereading. [accessed 17 December 2018]
• Durden, M. (2013) Fifty key writers on photography. Oxford: Routledge.
• Dyer, G. (2005) The ongoing moment. Edinburgh: Canongate Books.

• Evans, J (ed.) (1997) The camerawork essays. London: Rivers Pram Press.
• Evans, W. (1931) The reappearance of photography, Hound and Horn. 5(1), p. 126. Cited in Thompson, J.L. (2016) Why photography matters. Cambridge, Mass: The MIT Press.
• Everett, P. (2001) Bellocq's women. London: Random House.
• Ewing, WA  (2000) The body: photoworks of the human form. London: Thames & Hudson.
• Ewing, WA, Herschdoefer, N & Blaser, J-C. (2003) reGeneration: 50 photographers of tomorrow. London: Thames & Hudson.
• Ewing WA, (2006) Face: the new photographic portrait. London: Thames & Hudson.

• Fineman, M. (2012) Faking it: manipulated photography before Photosho[. NY: MoMA.
• Fiskin, J. (2011) Some Aesthetic Decisions. LA: Getty Publications.
• Flusser, V. (2000) Towards a philosophy of photography. London: Reaktion Books.
• Flynn Johnson, R. (2005) Anonymous: enigmatic images from unknown photographers. London: Thames & Hudson.
• Flynn Johnson, R. (2009) Anonymous: enigmatic images of people by unknown photographers. London: Thames & Hudson.
• Flynn Johnson, R. (2009) The face in the lens: anonymoue photographs. Berkeley: University of Californa Press.
• Fox Talbot, W.H. (1844-46) The pencil of nature. London: Longman, Brown, Green and Longmans. Cited in Thompson, J.L. (2016) Why photography matters. Cambridge, Mass: The MIT Press.
• Franklin, S. (2016) The documentary impulse. London: Phaidon Press.
• Freidus, M., Lingwood, J. & Slemmons, R. (1991) Typologies: ninw contemporary photographers. Newport: Newport Harbor Art Museum.
• Frizot, M. (1987) Photomontage. London: Thames & Hudson.
• Frizot, M. (ed.) (1998) A new history of photography. Cologne: Könemann.

• Galassi, P. (1981) Before Photography. NY: MoMA.
• Garcia, E.C. (2010) Photography as fiction. LA: Getty Trust.
• Gatcum, C. (2012) Plastic cameras. Lewes: Ammonite Press.
• Gefter, P (2009) Photography after Frank. New York: Aperture Foundation.
• Gernsheim, H (1962) Creative photography: aesthetic trends 1939-1960. London: Faber & Faber.
• Giddens, A. (year) Modernity and self-identity. Cambridge: Polity Press.
• Goldberg, V. (1981) Photography in print. NY: Touchstone.
• Green, D. (ed.) (2003) Where is the photograph? Brighton: Photoworks.
• Groves, A. (ed.) (2013) Lacock. ROtherham: National Trust.
• Grubbs, D. (1982) Modeling a likeness in clay. NY: Watson-Guptil.

• Hacking, J (ed.) (2012) Photography, the whole story. New York: Prestel Publishing.
• Hacking, J (2012) Lives of the great photographers. London: Thames & Hudson.
• Hattersley, R (1971) Discover your self through photography. NY: Association Press.
• Heiferman, M (2012) Photography changes everything. NY: Aperture.
• Heron. L. & Williams, V. (1996) Illuminations: women writimg on photography from the 1950s to the present. London: Tauris & Co..
• Higgins, J. (2013) Why it does not have to be in focus. London: Thames & Hudson.
• Hirsh, M. (1997) Family Frames. Cambridge, Mass.: Harvard U. Press.
• Hoppé, E.O. (1945) Hundred Thousand Exposures: The Success of a Photographer. London: Focal Press
• Howarth S. (2005) Simgular images: essays on remarkable photographs. London: Tate.
• Hoy, A.H. (1987) Staged, altered, and appropriated photgraphs . NY: Cross River Press.

• Jansen, C. (2017) Girl on girl: art and photography in the age of the female gaze. London: Laurence King.
• Janus, E. (ed.) (1998) Veronica's Revenge. Zurich: LAC.
• Jay, B. (1971) Views on nudes. London: Fscal Press.
• Jay, B. (1983) Photographers photographed. Salt Lake City: Peregrine Smith Books.
• Jay, B. (1994) Occam's Razor. Tucson, AZ.: Nazraeli Press.
• Jay, B., (2001) Sun in the blood of the cat. Tucson, Az.: Nazraeli Press.
• Jay, B. & Hurn, D. (2001) On being a photographer: a prictical guide (3rd edn.). Anacortes WA.: Lens Work Publishing.
• Jay, B. & Moore, M. (eds.) (1989) Bernard Shaw on photography. Wellingborough: Equation.
• Jay, J, L & H. (2018) British photographers photographed: Bill Jay. Southport: Café Royal Books.
• Jeffrey, I. (1996) Photography, a concise history. London: Thames & Hudson.
• Jeffrey, I. (2008) How to read a photograph. Jeffrey London: Thames & Hudson.
• Jenkins, K. (1991) Re-thinking history. London: Routledge.
• Jensen, B. & Gallagher, M. (eds.) (2009) Bill Jay 1940-2009. Lenswork #83, July-August 2009.
• Johnson, B. (ed.) (2004) Photography speaks: 150 photographers on their art. New York: Aperture Foundation.

• Kelsey, R (2015) Photography and the art of chance. Cambridge, MA: Belknap Press.
• Kessels, E (2016) Failed it!. London: Phaidon Press.
• Koetzle, H-M (2015) Photographers A-Z. Köln: Taschen.
• Kozloff, M (1994) Lone visions, crowded frames. Albuquerque: University of Mew Mexico Press.
• Kozloff, M. (2007) The theatre of the face: portrait photograpy since 1900. NY: Phaidon Press.
• Krauss, R.E. (1987) The originality of the avant-garde and other modernist myths. Cambridge, Mass.: MIT Press.

• La Grange, A. (2005) Basic critical theory for photographers. Burlington, MA: Focal Press.
• Laing, G (2016) In Camera, How to get perfect pictures straight out of the camera.London: Ilex Press.
• Lang, G. (2013) The unforgettable photograph. NY: Workman Publishing.
• Langford, M., Fox, A. & Sawdon Smith, R. (2007) Basic photography. (8th edn.) Oxford: Focal Press.
• Lenman, R. (ed.) (2005) The Oxford companion to the photograph. Oxford: Oxford University Press.
• Lewis, E. (2017) ...isms: understanding photography. Brighton: Iqon editions.
• Lichfield, P. (1981) Lichfield on photography. London: Collins.
• Lodge, A. (2020) Stonehenge. Southport: Café Royal Books.
• Lorant. S (1940) Chamberlain and the beautiful llama and 101 more juxtapositions. London: Hulton
• Lupton, E. (2008) Indie Publishing. NY: Princeton Architectural Press.

• McCabe, E. (2005) The making of great photographs. Exeter: David & Charles.
• McIntyre, C. (2019) Visual alchemy: the fine art of digital montage. Oxford: Routledge.
• Macleod, S. (2008) Post-production colour. Lausanne: AVA Publishing.
• Macnair, E (2014) Photographs rendered in Play-Doh. Brighton: MacDonaldStrand.
• Malcolm, J. (1980) Diana & Nikon. Boston: David R. Godine.
• Marien, M.W. (2002) Photography: a cutural history. (4th edn.) London: Laurence King.
• Marien, M.W. (2012) 100 Ideas that changed photography. London: Laurence King Publishing.
• Marien, M.W. (2015) Photography Visionaries.London: Laurence King Publishing.
• Melly, G. (1991) Paris and the surrealists. London: Thames & Hudson.
• Miller, S. (2020) Contemporary Photography and Theory. London: Bloomsbury.
• Modrak, R. & Anthes, B (2011) Reframing photography: theory and practice. Oxford: Routledge.
• Mulvany, N.C. (1996) Indexing books. (1st edn.) Chicago: University Press.

• Newhall, B (ed.) (1980) Photography:essays & images. NY: Moma.
• Papageorge, T (1975) The Snapshot. Aperture. Vol. 19 No.4, pages 24-27.
• Peterson, B. (2003) Learning to see creatively. NY: Amphoto.
• Philippi, S. (ed.) (2001) Icons: 20th century photography. Köln: Taschen.
• Phillips, S (2010) Exposed: voyeurism, surveillance, and the camera. London: Tate Publishing.

• Raven, F. & Collett, G., (2017) Book design made simple. Vancouver: 12 Pines Press.
• Richin, F. (1999) In our own image. NY: Aperture.
• Richin, F. (2009) In our own image. NY: W.W. Norton & Co.

• Salkeld, R. (2018) Reading Photographs. London: Bloomsbury.
• Sammon, R. (2009) Digital photography secrets. Indianapolis: Wiley.
• Scott, C. (1999) The spoken image. London: Reaktion Books.
• Scharf, A. (1965) Creative photography. NY: Reinhold.
• Scharf, A. (1968) Art and photography. Harmondsworth: Penguin.
• Shore, R. (2017) Beg, Steal and Borrow: Artists Against Originality. London: Laurence King.
• Shore, S. (2007) The nature of photographs. 2nd ed. London: Phaidon Press.
• Short, M., Leet, S-K & Kalpaxi, E (2020) Context and Narrative in photography. London: Bloomsbury.
• Sobieszek, R.A. & Irmas, D. (1994) the camera i. NY: Abrams.
• Solomon-Godeau, A. (1994) Photography at the dock. Minneapolis: University Of Minnesota Press.
  Sontag, S. (1983) Barthes: selected writings. London: Fontana.
• Soutter, L. (2013) Why art photography? London: Routledge.
• Squiers, C. (1990) The critical image. Seattle: The Bay Press.
• Squiers, C. (1999) OverExposed: Essays on contemporary photography. NY: The New Press.
• Stepan, P. (2008) 50 Photographers you should know. Munich: Prestel.
• Stepan, P. (2016) Photos that changed the world. Munich: Prestel.
• Strauss, DL. (2003) Between the eyes. NY: Aperture.
• Strauss, DL. (2020) Photography and Belief. NY: David Zwimmer Books.
• Szarkowski, J. (1978) Mirrors and Windows. New York: MoMA.
• Szarkowski, J. (2007) The photographer's eye. Revised 3rd ed. New York: MoMA.

• Tagg, J. (1988) The burden of represenation. Basingstoke: Macmillan.
• Tate (2006) Making history: art and documentary in Britain from 1929 to now. London: Tate.
• Thompson, J.L. (2016) Why photography matters. Cambridge, MA: MIT Press
• Trachtenberg, A. (1980) Classic essays on photography. New Haven, Conn.: Leete' Island Books.
• Traub, C.H., Heller, S. & Bell, A.B. (eds.) (2006) The Education of a photographer. New York: Allworth Press.
• Tress, A. (1967) Theater of the mind. NY: Morgan & Morgan.
• Triggs, T. (2012) Fanzines: the DIY revolution. San Francisco: Chrinicle Books.

• Williams, R (1988) Keywirds: a vocabulary of culture and society. London: Fontana Press.
• Williams, V. & Bright, S. (2007) How We Are: Photographing Britain. London: Tate Publishing
• Weil, S. (2015) Selfies. Translated by R. Schwarz, 2019. London: Les Fugitives.
• Weiss, M (2018) Making it up: photographic fictions. London: Thames & Hudson.
• Wells, L. (2009) Photography: a critical introduction. (4th edn.). Abingdon: Routledge.
• Wolf, S. (2019) Photo Work: forty photographers on process and practice. New York: Aperture Foundation
• Yabsley, L. (2019) The photography ideas book. London: Ilex.
• Yager, J. (2019) How to self publish your book. NY: Square One.
• Zuboff (2019) The age of surveillance capitalism. London: Profile Books.
• author (year) Title. Location: Publisher.

EyV References

OCA EyV pp.115-117

Azoulay, A. (2012) Civil Imagination: A Political Ontology of Photography. London: Verso
Batchen, G. (1997) Burning with Desire: The Conception of Photography. Cambridge, MA:
MIT Press.
Baudrillard, J. ([1968]1997)The System of Objects (trans. James Benedict). London & New
York: Verso
Bazin, A. (1948) in Thompson, K. & Bordwell, D. (2007) ‘Observations on film art’.
Available at: www.davidbordwell.net/blog/2007/10/10/do-filmmakers-deserve-the-
last-word/ [accessed 16/06/14]
Benjamin, W. ([1936]1999) Illuminations. London: Pimlico
Berger, J. (1972) Ways of Seeing. London: Penguin
Brassaï (1999) Conversations with Picasso. Chicago: University of Chicago Press
Brooks, R. (1981) ‘Sighs and Whispers’ in Cotton, C. & Verthime, S. (eds.) (2003) Guy
Bourdin. London: V&A Publications
Bromberg, A. & Chanarin, O. (2008) ‘Unconcerned but not Indifferent’. Available at:
www.paradiserow.com/usr/library/documents/main/33/unconcerned.pdf [accessed
16/06/14]
Bull, S. (2010) Photography. Abingdon: Routledge
Burgin, V. (1980) ‘Photography, Phantasy, Fiction’ in Screen, Vol. 21, No, 1, Spring 1980,
pp.43–80.
Burgin, V. (ed.) (1982) Thinking Photography. London: Palgrave Macmillan
Cartier-Bresson, H. (2004) The Mind’s Eye: Writings on Photography and Photographers.
New York: Aperture
Catling, B. (2012) The Vorrh. London: Honest Publishing
Cotton, C. & Verthime, S. (eds.) (2003) Guy Bourdin. London: V&A Publications
Dyer, G. (2012) The Ongoing Moment. Edinburgh: Canongate
Evans, H. ([1978]1997) Pictures on a Page (2nd revised edition). London: Pimlico
Flusser, V. (2000) Towards a Philosophy of Photography. London: Reaktion Books
Folgarit, L. (2008) Seeing Mexico Photographed. New Haven, CN: Yale University Press
Foster, H. et al. (2004) Art Since 1900: Modernism, Antimodernism, Postmodernism. London: Thames & Hudson
Groys, B. (2013) Art Power. Cambridge, MA: MIT Press
Grundberg, A. (1999) Crisis of the Real: Writings on Photography. Woking: Aperture
Heron, L. & Williams, V. (eds.) Illuminations: Women Writing on Photography from 1850s to the Present. London: IB Tauris
Jay, B. & Hurn, D. (2001) On Being a Photographer: A Practical Guide (3rd edition).
Washington: LensWork
Niépce, N. (1827) ‘Memoire on the Heliograph’ in Trachtenberg, A. (ed.) (1980) Classic
Essays on Photography. New Haven: Leete’s Island Books
Papageorge, T. ([1974] 2011) ‘The Snapshot’, in Core Curriculum: Writings on Photography.
New York: Aperture. Available at: www.scribd.com/doc/77729021/Core-Curriculum-by-
Tod-Papa-George [accessed 16/06/14]
Sekula, A. (1982) ‘On the Invention of Photographic Meaning’ in Bull, S. (2010)
Photography. Abingdon: Routledge
Sharabura, R. (1982) Shooting Your Way to a Million Dollars (revised edition). Chatsworth.
Solomon-Godeau, A. (1983) ‘The Armed Vision Disarmed: Radical Formalism from
Weapon to Style’ in Heron, L. & Williams, V. (eds.) Illuminations: Women Writing on
Photography from 1850s to the Present. London: IB Tauris
Szarkowski, J. (2007) The Photographer’s Eye. New York: MoMA
Thompson, K. & Bordwell, D. (2007) ‘Observations on film art’. Available at: www.
davidbordwell.net/blog/2007/10/10/do-filmmakers-deserve-the-last-word/ [accessed
16/06/14]
Trachtenberg, A. (ed.) (1980) Classic Essays on Photography. New Haven: Leete’s Island
Books
Wells, L. (ed.) (2009) Photography: A Critical Introduction (4th edition). Abingdon:
Routledge
Wenders. W. (1997) The Act of Seeing. London: Faber & Faber. Quoted in Bromberg, A.& Chanarin, O. (2008) ‘Unconcerned but not Indifferent’. Available at: www.paradiserow. com/usr/library/documents/main/33/unconcerned.pdf
Weston, E. (1930) ‘Photography – Not Pictorial’, Camera Craft, Vol. 37, No. 7, pp.313–20. Available at: www.jnevins.com/westonreading.htm [accessed 16/06/14]

Further reading

Batchen, G. (1997) Burning with Desire: The Conception of Photography. Cambridge, MA: MIT Press.
Langford, M. et al. (2010) Langford’s Basic Photography: The Guide for Serious Photographers (9th edition). Oxford: Focal Press
Wells, L. (ed.) (2009) Photography: A Critical Introduction (4th edition). Abingdon:
Routledge

C&N References

OCA C&N pp.138-9 (unnumbered)

Reference Material

Essential Reading

Berger, J. (1972) Ways of Seeing. London: Penguin Books.
Bull, S. (2009) Photography. Abingdon: Routledge.
Bright, S. (2011) Art Photography Now. London: Thames and Hudson.
Curana, N. & Fox, A. (2012) Behind the Image: Research in Photography. Lausanne: AVA.
Jeffrey, I. (1981) Photography: A Concise History. London: Thames & Hudson.
Langford, M. et al (2010) Langford's Basic Photography (9th ed.) Oxford: Focal Press.
Short, M. (2011) Creative Photography: Context and Narrative. Lausanne: AVA.
Szarkowski, J. (2007) The Photographer's Eye. New York: MOMA.

Recommended

Barthes, R. (1977) Image- Music- Te xt. London: Fontana Press.
Bate, D. (2009) Photography: The Key Concepts. London: Berg.
Campany, D. (ed.) (2003) Art and Photography. London: Phaidon Press.
La Grange, A. (2005) Basic Critical Theory for Photographers. Oxford: Focal Press.
Sontag, S. (1979) On Photography. London: Penguin.
Warner Marien, M. (2014) Photography: A Cultural History (4th ed.) London: Laurence King.
Wells, L. (2009) Photography: A Critical Introduction (4th ed.) Abingdon: Routledge.

Websites

1000 Words Photography -http://www.1000wordsmag.com/
7.7 - http://www.7dot7.net/ [dead link]
American Suburb X - https://americansuburbx.com/
Flak Photo - https://flak.photo/
The Guardian - https://www.theguardian.com/artanddesign/photography
International Center of Photography - https://www.icp.org/
La Lettre de la Photographie - http://www.lalettredelaphotographie.com [dead link]
Lens Culture - https://www.lensculture.com/
National Media Museum - https://www.scienceandmediamuseum.org.uk/
Photomonitor - https://www.photomonitor.co.uk/
Photoparley - https://photoparley.wordpress.com/
Tate Gallery resources - https://www.tate.org.uk/art
The Telegraph - https://www.telegraph.co.uk/culture/photography/
Victoria & Albert Museum - https://www.vam.ac.uk/collections/photographs

Journals

Aperture - https://aperture.org/
British Journal of Photography - https://www.bjp-online.com/
Foam - https://www.foam.org/home
Hotshoe International - http://hotshoemagazine.com/
Photoworks - https://photoworks.org.uk/
Source - https://www.source.ie/index.php

I&P References

and see I&P Books.

Barthes, R. (2009) Mythologies. London: Vintage Classics
Bellocq, E. J. (2009) Storyville Portraits. Milan: Abscondita
Berger, J. ([1972] 2008) Ways of Seeing. London: Penguin Modern Classics
Clarke, G. (1992) The Portrait in Photography. London: Reaktion Books
diCorcia, P. (2001) Heads. Zurich: Scalo
Durden, M. & Grant, K. (2013) Double Take: Portraits from The Keith Medley Archive. Liverpool: LJMU Archives
Evans, W. (2013) American Photographs (75th anniversary edition). London: Tate Publications
Giddens, A. (1991) Modernity and Self-Identity: Self and Society in the late Modern Age. Oxford: Polity Press
Hill, B. (1973) Julia Margaret Cameron: A Victorian Family Portrait. London: Peter Owen Publishers
Hirsch, M. (2012) Family Frames: Photography, Narrative and Postmemory. CreateSpace Independent Publishing
Hoppé, E.O. (1945) Hundred Thousand Exposures: The Success of a Photographer. London: Focal Press
Jay, B. (1994) Occam’s Razor: Outside-in Viewing Contemporary Photography. Paso Robles, CA: Nazraeli Press
Jenkins, K. (1991) Re-thinking History. London: Routledge
Kozloff, M. (2007) The Theatre of the Face: Portrait Photography Since 1900. London: Phaidon Press
Parr, M. (2004) Martin Parr. London: Phaidon Press
Penn, I. (2010) Portraits. London: National Portrait Gallery Publications
Russell, B. (2004) The History of Western Philosophy. London: Routledge
Shore, R. (2014) Post-Photography: The Artist with a Camera. London: Laurence King
Shore, S. (2014) Uncommon Places (2nd revised edition). London: Thames & Hudson
Szarkowski, J. (2002) William Eggleston’s Guide (2nd edition). New York: MOMA
Tagg, J. (1988) The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press
Torczyner, H. (1979) Magritte: Ideas and Images. New York: Harry N. Abrams Inc.
Williams, V. & Bright, S. (2007) How We Are: Photographing Britain. London: Tate Publishing
Wood, T. (2005) Photie Man. Göttingen: Steidl